Annie Abrahams has a doctoral (M2) in biology from the University of Utrecht and a MA2 from the Academy of Fine Arts of Arnhem. In her work, using video, performance as well as the internet, she questions the possibilities and the limits of communication in general and more specifically investigates its modes under networked conditions. She is known worldwide for her net art and collective writing experiments and is an internationally regarded pioneer of networked performance art.
Abrahams develops what she calls an aesthetics of trust and attention and creates situations meant to reveal messy and sloppy sides of human behaviour, where she traps reality and somakes that reality available for thought.
She has performed and shown work extensively in France, including at the Jeu de Paume; the Centre Pompidou, Paris; the CRAC, Sète; the Paris–Villette theater and in more than hunderd international galleries and museums including The Museum of Contemporary Art, Zagreb; the Black Mountain College Museum + Arts Center, Asheville, North Carolina; the Espai d’Art Contemporani de Castelló, Spain; the New Musem, New York; the Armenian Center for Contemporary Experimental Art, Yerevan; Furtherfield gallery, London; Aksioma, Ljubljana, and NIMk, Amsterdam, in festivals such as the MoscowFilm Festival; the International Film Festival, Rotterdam and the Stuttgarter Filmwinter (1prize 2011), and on online platforms as Rhizome.org and Turbulence (NEA commission 2015).